There is a curious reluctance for some to acknowledge that Rollins came back from his 1959-61 voluntary exile a more complete and fascinatingly complex musician. The Bridge is enduring testimony to that fact: he has shed all stylistic baggage, leads from the front, plays with a new poise and freshness and with a unique identity that has stayed intact up to the present day. Although late-50s Rollins may be the stuff to get the critics panting, this was the template for all future Rollins creative ventures, whether they be avant-garde or retro or just plain Sonny. Unbeatable music. (KS)
As Theodorakis' fame grew, political turmoil in Greece led to his compositions being banned by the military dictatorship then in power. Placed in a concentration camp, Theodorakis was ultimately freed following an international outcry, and went into exile in Paris, from which he maintained his activism, his music becoming a soundtrack of resistance.
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